The more Ann Rinaldi I read, the more her writing disappoints me. Brooklyn Rose had the potential to be a charming and interesting historical novel, but several recurring flaws render it unsuitable for a thoughtful young adult audience or a library that aims to provide living books and quality historical fiction.

The book centers around Rose Frampton, a young Southern belle who, in 1900, enters into a marriage of convenience with a wealthy, older man named Renee. Rose is innocent and idealistic, hoping that her mother is right and that love will grow with time. The story unfolds through her diary entries as she adjusts to life in Brooklyn, New York which is the center of her husband’s business affairs. Renee, who is kind, gentle, and generous, dotes on Rose, but the differences in their ages and maturity levels is obvious and it is very hard to see a partnership between them. 

Though the historical setting initially draws you in, Rinaldi’s use of modern expressions breaks the period feel, creating jarring anachronisms that detract from the novel’s authenticity. The language lacks richness and complexity, which may appeal to a younger audience on a surface level but ultimately underserves the depth that historical fiction readers expect. 

Beyond these stylistic issues, the plot is poorly constructed. For example, early in the story, we hear of a plague sweeping port cities, but this detail is soon abandoned. We meet a cast of characters, including Rose’s family and the Irish servants, yet none of their arcs develop in meaningful ways. In fact, I even wondered if the plague would show up in their stories somehow, but that was not the case. Even Rose’s prized horse, a symbolic connection to her Southern roots, is mentioned as shipped to Brooklyn but then simply disappears from the narrative. These plot holes create an experience that feels disjointed, superficial, lacking direction, and lacking any real storytelling. 

Sadly, there is an undercurrent of adult themes, presented in a way that feels inappropriate for the intended teen audience. First, we have a small line about how Renee’s kisses make her feel in her body. Then, she tells her journal how tender and loving Renee is and how it was easy to “give herself to him” on their wedding night and how that has created new intimacy between them. Rinaldi could have approached Rose’s coming-of-age journey through emotional development, yet she bypasses this in favor of superficial interactions and just enough veiled comments about sexual intimacy to make a young reader curious.

Most concerningly, Rinaldi hints at deeper marital issues that our young readers do not need to be exposed to. Rose tells us again and again that Renee doesn’t tell her many things about himself, his past, or his family, revealing a lack of emotional intimacy between them. I thought that this might be a plot point that would resolve in her coming-of-age story, but that never really happens. 

Additionally, she tells us how Renee routinely calls her “child” and treats her as one. Kind as he is, he doesn’t really respect her as an equal or something other than a favorite pet. And, when Renee’s mother’s arrival brings a bizarre level of conflict to Rose’s new life, Renee is unwilling to defend his young wife, and this worsens Rose’s confusion, culminating in an illogical scene where she runs away to test her husband’s love.

Overall, Brooklyn Rose seems to lack a clear purpose. The writing feels overly simplistic, the historical elements are thinly developed, and the themes are ill-suited to a young readership. While I wanted to like this novel, Brooklyn Rose ultimately feels like a quickly assembled tale without the substance that would make it memorable. For libraries seeking compelling historical fiction for young readers, this book falls short on many fronts.

I have found Ann Rinaldi books to be uneven. Some I have liked, some I have not. You can read my review of others here:

A Break With Charity
The Fifth of March